Ball State University College of Fine Arts
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Nov 13, 2025
Thursday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Nov 14, 2025
Friday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Nov 15, 2025
Saturday
-
Indiana Pastoral: The Photography of Lamar Richcreek
1:30pm to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
1:30pm to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Goodnight, Tyler
7:30pm @
Fine Arts Building, Ball State University
Recital Hall AR217
2021 W. Riverside Avenue
Cost: General Public: $15 in advance, $17 at the door Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door Written by B.J. Tindal
Original Dramaturgy by Maansi Sahay Seth
Directed by Lisa Gaye DixonNovember 15-16, 18-22 at 7:30 PM | November 22 at 2:30 PM | Recital Hall / AR 217
Goodnight, Tyler is a poignant and unexpectedly humorous ghost story about memory, grief, and the fight for control over a legacy. After Tyler Evans, a young Black man, is killed by a police officer, his ghost lingers—desperate to be remembered for his life, not just his death. As his best friend, fiancée, grandmother, and others grapple with their own versions of Tyler, tensions rise over who gets to define his story. This moving contemporary drama explores love, loss, and the personal and political weight of remembrance.
“Goodnight, Tyler” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.comTickets
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
General Public: $15 in advance, $17 at the door
Faculty/Staff/Students/Seniors: $12 in advance, $14 at the doorNov 16, 2025
Sunday
-
Goodnight, Tyler
7:30pm @
Fine Arts Building, Ball State University
Recital Hall AR217
2021 W. Riverside Avenue
Cost: General Public: $15 in advance, $17 at the door Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door Written by B.J. Tindal
Original Dramaturgy by Maansi Sahay Seth
Directed by Lisa Gaye DixonNovember 15-16, 18-22 at 7:30 PM | November 22 at 2:30 PM | Recital Hall / AR 217
Goodnight, Tyler is a poignant and unexpectedly humorous ghost story about memory, grief, and the fight for control over a legacy. After Tyler Evans, a young Black man, is killed by a police officer, his ghost lingers—desperate to be remembered for his life, not just his death. As his best friend, fiancée, grandmother, and others grapple with their own versions of Tyler, tensions rise over who gets to define his story. This moving contemporary drama explores love, loss, and the personal and political weight of remembrance.
“Goodnight, Tyler” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.comTickets
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
General Public: $15 in advance, $17 at the door
Faculty/Staff/Students/Seniors: $12 in advance, $14 at the doorNov 18, 2025
Tuesday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Goodnight, Tyler
7:30pm @
Fine Arts Building, Ball State University
Recital Hall AR217
2021 W. Riverside Avenue
Cost: General Public: $15 in advance, $17 at the door Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door Written by B.J. Tindal
Original Dramaturgy by Maansi Sahay Seth
Directed by Lisa Gaye DixonNovember 15-16, 18-22 at 7:30 PM | November 22 at 2:30 PM | Recital Hall / AR 217
Goodnight, Tyler is a poignant and unexpectedly humorous ghost story about memory, grief, and the fight for control over a legacy. After Tyler Evans, a young Black man, is killed by a police officer, his ghost lingers—desperate to be remembered for his life, not just his death. As his best friend, fiancée, grandmother, and others grapple with their own versions of Tyler, tensions rise over who gets to define his story. This moving contemporary drama explores love, loss, and the personal and political weight of remembrance.
“Goodnight, Tyler” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.comTickets
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
General Public: $15 in advance, $17 at the door
Faculty/Staff/Students/Seniors: $12 in advance, $14 at the doorNov 19, 2025
Wednesday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Goodnight, Tyler
7:30pm @
Fine Arts Building, Ball State University
Recital Hall AR217
2021 W. Riverside Avenue
Cost: General Public: $15 in advance, $17 at the door Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door Written by B.J. Tindal
Original Dramaturgy by Maansi Sahay Seth
Directed by Lisa Gaye DixonNovember 15-16, 18-22 at 7:30 PM | November 22 at 2:30 PM | Recital Hall / AR 217
Goodnight, Tyler is a poignant and unexpectedly humorous ghost story about memory, grief, and the fight for control over a legacy. After Tyler Evans, a young Black man, is killed by a police officer, his ghost lingers—desperate to be remembered for his life, not just his death. As his best friend, fiancée, grandmother, and others grapple with their own versions of Tyler, tensions rise over who gets to define his story. This moving contemporary drama explores love, loss, and the personal and political weight of remembrance.
“Goodnight, Tyler” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.comTickets
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
General Public: $15 in advance, $17 at the door
Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door
Ball State Wind Symphony and Campus Band
7:30pm @
Sursa Performance Hall, Ball State University
Corner of Riverside and McKinley
Cost: General Public: $8 in advance / $10 at the door Seniors: $5 in advance / $7 at the door BSU Faculty/Staff: $5 in advance / $7 at the door Featuring vocalist Spencer Domer in Dein ist mein Ganzes Herz by Franz Lehar, and works by Yosuke Fukuda, Omar Thomas, Hugh Stuart, Malcolm Arnold, Franz Lehar, Katahj Copley, and more!
The Wind Symphony is under the direction of Jeremy Harmon, director of athletic bands. The Campus Band is under the direction of graduate student conductors.
Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 1.
Prices
- General Public: $8 in advance / $10 at the door
- Seniors: $5 in advance / $7 at the door
- BSU Faculty/Staff: $5 in advance / $7 at the door
- Students: free* in advance / $5 at the door
*One (1) free student ticket per ID is available in advance (before 5 p.m. on the night of the concert) at the College of Fine Arts Box Office
Purchase Options
- ONLINE
- Phone: 765-285-8749
- In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance
**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.
Parking
Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.
Nov 20, 2025
Thursday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Goodnight, Tyler
7:30pm @
Fine Arts Building, Ball State University
Recital Hall AR217
2021 W. Riverside Avenue
Cost: General Public: $15 in advance, $17 at the door Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door Written by B.J. Tindal
Original Dramaturgy by Maansi Sahay Seth
Directed by Lisa Gaye DixonNovember 15-16, 18-22 at 7:30 PM | November 22 at 2:30 PM | Recital Hall / AR 217
Goodnight, Tyler is a poignant and unexpectedly humorous ghost story about memory, grief, and the fight for control over a legacy. After Tyler Evans, a young Black man, is killed by a police officer, his ghost lingers—desperate to be remembered for his life, not just his death. As his best friend, fiancée, grandmother, and others grapple with their own versions of Tyler, tensions rise over who gets to define his story. This moving contemporary drama explores love, loss, and the personal and political weight of remembrance.
“Goodnight, Tyler” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.comTickets
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
General Public: $15 in advance, $17 at the door
Faculty/Staff/Students/Seniors: $12 in advance, $14 at the doorNov 21, 2025
Friday
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Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Goodnight, Tyler
7:30pm @
Fine Arts Building, Ball State University
Recital Hall AR217
2021 W. Riverside Avenue
Cost: General Public: $15 in advance, $17 at the door Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door Written by B.J. Tindal
Original Dramaturgy by Maansi Sahay Seth
Directed by Lisa Gaye DixonNovember 15-16, 18-22 at 7:30 PM | November 22 at 2:30 PM | Recital Hall / AR 217
Goodnight, Tyler is a poignant and unexpectedly humorous ghost story about memory, grief, and the fight for control over a legacy. After Tyler Evans, a young Black man, is killed by a police officer, his ghost lingers—desperate to be remembered for his life, not just his death. As his best friend, fiancée, grandmother, and others grapple with their own versions of Tyler, tensions rise over who gets to define his story. This moving contemporary drama explores love, loss, and the personal and political weight of remembrance.
“Goodnight, Tyler” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.comTickets
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
General Public: $15 in advance, $17 at the door
Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door
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