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26 upcoming events with the concerts tag

780 past events with this tag

Apr 4, 2026

This Saturday

Apr 10, 2026

Friday

Apr 11, 2026

Saturday

Apr 12, 2026

Sunday

  • The Marriage of Figaro 3pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley
    Cost: General Public: $18 in advance, $20 at the door Students: $5 in advance, $8 at the door Seniors (62+)/ BSU Faculty/Staff: $15 in advance, $17 at the door

    About

    For their spring performance, Ball State’s Opera Theatre program will present The Marriage of Figaro.

    The Marriage of Figaro continues the plot of The Barber of Seville (which centers around Count Almaviva's pursuit of Rosina) several years later, and recounts a single "day of madness" (la folle journée) in the palace of Count Almaviva. Rosina is now the countess. Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself, and Count Almaviva has degenerated from the romantic youth of Barber, into a scheming, bullying, skirt-chasing baritone. Having gratefully given Figaro a job as head of his servant-staff, he is now persistently trying to exercise his feudal right to bed a servant girl on her wedding night (which he had prior relinquished in his courtship with the Countess) – with Figaro's bride-to-be, Susanna, who is the countess's maid. He keeps finding excuses to delay the civil part of the wedding of his two servants, which is arranged for this very day. Figaro, Susanna, and the countess conspire to embarrass the count and expose his scheming. He retaliates by trying to compel Figaro legally to marry a woman old enough to be his mother, but it turns out at the last minute that she really is his mother. Through the clever manipulations of Susanna and the countess and several hijkinks along the way, Figaro and Susanna are finally able to marry.

    Learn more about the Ball State Opera Theatre program, director Jon Truitt, and vocal coach Cara Chowning

    Other Performances

    This is the second of two performances. The first performance is at 7:30 p.m. on Saturday, April 11.

    Tickets

    • General Public: $18 in advance, $20 at the door
      Students: $5 in advance, $8 at the door
      Seniors (62+)/ BSU Faculty/Staff: $15 in advance, $17 at the door

    Tickets are sold through the College of Fine Arts Box Office located at Sursa Hall. Purchase options:

    • ONLINE
    • Phone: 765-285-8749
    • In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance at the performance venue

    **Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

    Parking

    Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. This garage is free on weekends.

Apr 16, 2026

Thursday

Apr 19, 2026

Sunday

  • Faculty Artist Series: Lisa Kozenko (oboe) and Catherine Kautsky (piano) 3pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley

    About

    The Faculty Artist Series features School of Music faculty sharing their talent and passion for music with the campus and community. 

    Critically acclaimed for her virtuosity and versatility, oboist Lisa Kozenko performs internationally as a soloist, chamber artist and orchestral musician. Ms. Kozenko has appeared as a concerto soloist with the Nova Filarmonia of Portugal, the National Orchestra of New York, the National Symphony Orchestra of Mexico, the Lehigh Valley Chamber Orchestra and the Greenwich Village Orchestra. Concert engagements include performances at the Phillips Collection in Washington D.C., the Dame Myra Hess Memorial Concert Series in Chicago, the Frick Collection in Pittsburgh and the Trinity Noonday Series, Great Music in the Chapel Series, and Merkin Concert Hall in New York City.

    Catherine Kautsky, Chair of Keyboard at Lawrence University in Appleton, WI, has been lauded by the New York Times as “a pianist who can play Mozart and Schubert as though their sentiments and habits of speech coincided exactly with hers … The music spoke directly to the listener, with neither obfuscation nor pretense.” She was the 2016 winner of the Lawrence Excellence in Teaching Award, the 2013 winner of the university’s Faculty Convocation Award, and in 2017 she was honored with the George and Marjorie Olsen Chandler Chair in Music. Her recording of the Debussy Preludes, released by Centaur in September, 2014, was said to “bring out all the power, majesty, and mystery of Debussy’s conception,“ and a recording of the complete Brahms Sonatas for Violin and Piano was released in 2019 to top reviews. Ms. Kautsky, whose teachers included Rosina Lhevinne, Gyorgy Sebok, Leon Fleisher, Martin Canin, and Gilbert Kalish, has concertized widely, performing in major halls such as Alice Tully Hall, Carnegie Recital Hall, the Phillips Collection, Jordan Hall, and the Chicago Cultural Center. She has soloed with numerous orchestras, including the St. Louis Symphony and Milwaukee Chamber Orchestra, and appeared frequently on public radio. She has spent two sabbaticals in Paris and played abroad in France, England, Italy, Spain, Poland, China, Hong Kong, Korea, Thailand, Brazil, Australia, Russia, and South Africa. Known as both a solo and collaborative performer, Ms. Kautsky has performed chamber music at the Aspen, Tanglewood, and Grand Teton Festivals, and presented masterclasses on five continents, including 2018 appearances in Hong Kong, Ho Chi Minh City, and Hanoi.

    Livestream

    This recital will also be offered as a livestream - visit the Concert Livestream Page to watch live. Streaming begins approximately 15 minutes prior to scheduled concert start time.

    Free Admission

    This recital is free and open to the public.

    Parking

    Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.

Apr 22, 2026

Wednesday

Apr 23, 2026

Thursday

Apr 24, 2026

Friday

May 21, 2026

Thursday

Jun 18, 2026

Thursday

Jul 11, 2026

Saturday

  • Michael Cleveland & Flamekeeper Muncie Three Trails Presents Michael Cleveland & Flamekeeper 7pm @ Canan Commons
    Michael Cleveland & Flamekeeper Michael Cleveland & Flamekeeper

    GRAMMY-winning bluegrass greats Michael Cleveland & Flamekeeper will be performing a FREE outdoor concert as part of the 2026 Muncie Three Trails Music Series. This concert is sponsored by the Community Foundation of Muncie and Delaware County. Locals The John Beatrtice Band will open the show. Widely considered the best bluegrass fiddler of his generation, Michael Cleveland has been recognized 12 times as the International Bluegrass Music Association’s (IBMA) “Fiddler of the Year,” and in 2018 he was inducted into the National Fiddler’s Hall of Fame. His recording Fiddlers Dream was nominated in 2018 for a GRAMMY for “Best Bluegrass Album,” and in 2019, his album Tall Fiddler won that award. In 2022, he, like his idol Bill Monroe, was awarded the National Endowment for the Arts Heritage Fellowship. And most recently, Michael’s latest recording with Jason Carter, Carter & Cleveland,  won IBMA’s 2025 “Album of the Year” award and has been nominated for a 2026 GRAMMY for “Best Bluegrass Album.”

Jul 16, 2026

Thursday

Aug 8, 2026

Saturday

  • Cristina Vane Muncie Three Trails Presents Cristina Vane 7pm @ Canan Commons
    Cost: FREE
    Ages: All Ages
    Cristina Vane Cristina Vane

    Critically acclaimed Americana/blues artist Cristina Vane and her band will be performing a FREE outdoor concert as part of the 2026 Muncie Three Trails Music Series. This concert will take place at 7:00 PM on Saturday, August 8th  at Canan Commons (600 S. Walnut St.) in the heart of downtown Muncie, IN. Locals Lovesick Moan will open the show.

    More than a mere practitioner of her craft, Cristina Vane has a breadth and depth of serious musical skill compiled from countless miles across all kinds of geography. On her third studio album ‘Hear My Call,’ the pairing of a lifetime pursuit and growing treasure trove of songs makes for a record that demands to be heard.

    A deft multi-instrumentalist and captivating vocalist, she began writing songs and playing guitar in her teens, before the power of slide guitar captured her attention one summer in London and changed her trajectory. Her sound is a product of a merging of numerous worlds- her classic rock, 90s indie, and heavier roots with her passion for prewar blues, old time fiddle banjo music, country and bluegrass. On Hear My Call, Vane refuses to bend herself into a box, writing excellent bluegrass songs that exist cohesively alongside her blues, rock, and hill country blues inspired tunes. Indeed, a decade of finding herself has brought her full circle; in her words, “ “When it came to the album, I wanted it to be a reflection of who I am, not just of the old music that I’ve come to love”, she explains, “and I’m essentially a rock kid who is obsessed with old music. After being exposed to all of this music that was foreign to me, I am slowly figuring out how to find my own voice within it." 

Aug 15, 2026

Saturday

Aug 20, 2026

Thursday

Aug 22, 2026

Saturday

  • Lost Bayou Ramblers Muncie Three Trails Presents The Lost Bayou Ramblers 7pm @ Brown Family Amphitheater, Ball State University
    Cost: FREE
    Ages: All Ages
    Lost Bayou Ramblers Lost Bayou Ramblers

    Acclaimed progressive Cajun band and GRAMMY winners Lost Bayou Ramblers (LBR) will be performing in a FREE outdoor concert as part of the 206 Muncie Three Trails Music Series. The Lost Bayou Ramblers will also be performing a special traditional acoustic set at 7 PM to open the show. 

    Lost Bayou Ramblers’ evolution as a perversely progressive band rooted in Cajun traditions continues to excite, challenge, and redefine both genre expectations as well as cultural preconceptions. The band was formed in 1999 by brothers Andre and Louis Michot, performing the roots Cajun music they learned as members of Les Frères Michot, the family band their father and uncles formed in the 80's. The current LBR line-up is headed-up by Louis (fiddle and lead vocals) and Andre (accordion and lapsteel), now joined by Bryan Webre (electric bass), Johnny Campos (electric guitar), Eric Heigle (electronics and acoustic guitar), and Kirkland Middleton (drums). The group stands at the crosscurrents of Louisiana culture by inhabiting the gray area between Cajun and Creole, convention and innovation, mystery and a revelation, experimenting and growing the show to what it's become today: an eclectic mix of modern sounds and rhythms with ancient Cajun melodies and lyrics.  With eight albums, a GRAMMY win in the Best Regional Roots Music category for their most recent studio album, Kalenda, contributions to the score of the Oscar-nominated Beasts Of The Southern Wild, and touring with both Arcade Fire and the Violent Femmes, Lost Bayou Ramblers continue to swing wide from their Louisiana home base. 

Aug 29, 2026

Saturday

  • Flor De Toloache Muncie Three Trails Presents Flor De Toloache 7pm @ Brown Family Amphitheater, Ball State University
    Cost: FREE
    Ages: All Ages
    Flor De Toloache Flor De Toloache

    Latin GRAMMY winners Flor De Toloache, an all-female Mariachi ensemble, will be returning to Muncie and performing in a FREE outdoor concert as part of the 2026 Muncie Three Trails Music Series. Cincinnati-based Estrada Do Sol will open the show.

    Flor De Toloache, which translates as “deadly flower” and also refers to a main ingredient in traditional love potions, was founded in 2008 by singers Mireya Ramos and Shae Fiol. The group weaves a variety of influences (e.g., salsa, bactata, cumbia, gypsy, Latin jazz, pop, hip-hop, soul) into their unique sound, giving them an edgy, versatile and fresh take on traditional Mexican music. They perform original songs, new arrangements of classic Mariachi tunes, as well as an eclectic selection of covers that can include songs by artists such as Adele, AC/DC, and Erykah Badu. Their mélange of the traditional and the modern pushes the boundaries of the genre and brings Mariachi music to new audiences. Flor De Toloache’s critically acclaimed self-titled debut album received a Latin GRAMMY nomination for “Best Ranchero/Mariachi Album” of 2015, and their 2017 release, Las Caras Lindas, won that award. Indestructible, a 2019 GRAMMY nominee for “Best Latin Rock, Urban, or Alternative Album,”  showcased their collaboration with multi-platinum singer-songwriter John Legend. National Public Radio says the album “… pushes the boundaries of mariachi music and its instruments through reimagined pop covers, originals and original collaborations.”

    Over the course of the last few years, Flor de Toloache have played to sold out audiences in the UK, Germany, Holland, Italy, France, as well as performing at Coachella and at such legendary venues as First Avenue in Minneapolis, The Vic in Chicago, Terminal 5 in New York, DC’s 930 Club, and Nashville’s Ryman Theater (The Grand Ole Opry). The group was invited to perform at the GRAMMY Museum’s Latin Music Gallery Exhibition ribbon-cutting. They were also invited to pay tribute to Linda Ronstadt at the 42nd Annual Kennedy Center Honors. Needless to say, their previous performances at the Muncie Three Trails Music Series they have brought down the house.

     

Sep 5, 2026

Saturday

  • Blue Moon Marquee Muncie Three Trails Presents Blue Moon Marquee 7pm @ Canan Commons
    Cost: FREE
    Ages: All Ages
    Blue Moon Marquee Blue Moon Marquee

    Acclaimed Canadian blues/jazz group Blue Moon Marquee will be performing in a FREE outdoor concert as part of the 2026 Muncie Three Trails Music Series. Locals The Prairie Creek Sirens will open the show.

    Blue Moon Marquee writes and performs original compositions influenced by anything that swings, jumps or grooves. A.W. Cardinal (vocals/guitar) and Jasmine Colette a.k.a. Badlands Jass (vocals/bass/drums) have played for a vast gamut of crowds at jazz clubs, Lindy Hop dance halls, folk venues, blues haunts, hospitals, prisons, markets, motorcycle joints, dive bars and prestigious festival stages. The vast repertoire of this band is a reflection of their bounteous years on the road, and the result is a trademark blend that pulls the different parts of their musical worlds together, taking the tones of early blues, the expressions of jazz, the heart of country, the spirit of folk, the swagger of soul and the rhythm of rock ‘n’ roll. Their gift is bringing all these elements together without anything sounding out of step. For their Canan Commons show, the duo will be joined by Alison Young on sax and Darcy Phillips on keys.

    In recognition of the band’s excellence, Scream, Holler & Howl, their 5th album, won the JUNO Award (the Canadian equivalent of the GRAMMY) for Blues Album of the Year. The album was also honored with the Blues Foundation’s award for Emerging Artist of the Year (2023), and it swept the 2023 Maple Blues Awards (Canada’s highest honour in blues) with four wins. including Album of the Year, Songwriter of the Year, Acoustic Act of the Year and Entertainer of the Year.  Co-produced by GRAMMY-winning guitarist Duke Robillard and recorded live to tape, the album blazes forward with its astonishing mix of genres. As Mr. Robillard states, “To say A.W. and Jasmine are old souls is an understatement. They are poised for worldwide recognition in a brilliant and unique genre-bending ride through American blues and folk, Gypsy jazz, Native American themes, jump blues, swing and more. These century-old traditions have been redefined and delivered in a new light here”. Unbound by genre or era, Blue Moon Marquee has an edge that demands you take notice. With an authentic mixture of tempo, melody and imagery, they are timeless artists perfect for this time.