198 upcoming events with the ball state university tag
656 past events with this tagSep 18, 2025
This Thursday
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Cercle et Carré and the International Spirit of Abstract Art 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)Admission is free.
In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-Garcia (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
Indiana Pastoral: The Photography of Lamar Richcreek 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Ball State Symphony Orchestra 7:30pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley
Cost: General Public: $8 in advance / $10 at the door Seniors: $5 in advance / $7 at the door BSU Faculty/Staff: $5 in advance / $7 at the door About
This year, the Ball State Symphony Orchestra's theme is dance! Enjoy concerts throughout semester that feature works from musicals and traditional dances. The Ball State Symphony Orchestra is a flagship ensemble of the School of Music that performs orchestral music from a wide variety of backgrounds and time periods.
Program
Strauss - "Blue Danube"
Midwest Premiere: "Steinke Marimba Concerto" featuring faculty soloist YoungKyoung Lee
Schubert - "Unfinished Symphony"
Tchaikovsky Selections from The NutcrackerTickets
Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 1.
Prices
- General Public: $8 in advance / $10 at the door
- Seniors: $5 in advance / $7 at the door
- BSU Faculty/Staff: $5 in advance / $7 at the door
- Students: free* in advance / $5 at the door
*One (1) free student ticket per ID is available in advance (before 5 p.m. on the night of the concert) at the College of Fine Arts Box Office
Purchase Options
- ONLINE
- Phone: 765-285-8749
- In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance
**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.
Parking
Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Paid metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.
Ball State Symphony Orchestra 7:30pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley
Cost: General Public: $8 in advance / $10 at the door Seniors: $5 in advance / $7 at the door BSU Faculty/Staff: $5 in advance / $7 at the door Students: free* in advance / $5 at the door About
The Ball State Symphony Orchestra is a flagship ensemble of the School of Music that performs orchestral music from a wide variety of backgrounds and time periods.
Tickets
Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 15.
Prices
- General Public: $8 in advance / $10 at the door
- Seniors: $5 in advance / $7 at the door
- BSU Faculty/Staff: $5 in advance / $7 at the door
- Students: free* in advance / $5 at the door
*One (1) free student ticket per ID is available in advance (before 5 p.m. on the night of the concert) at the College of Fine Arts Box Office
Purchase Options
- ONLINE
- Phone: 765-285-8749
- In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance
**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.
Parking
Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking ($1/hr) is available on the first floor of the garage until 7 p.m. at which time parking is free.
Sep 19, 2025
This Friday
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Indiana Pastoral: The Photography of Lamar Richcreek 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Sep 20, 2025
This Saturday
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Indiana Pastoral: The Photography of Lamar Richcreek 1:30pm to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art 1:30pm to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Sep 23, 2025
Tuesday
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Indiana Pastoral: The Photography of Lamar Richcreek 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
The Addams Family 7:30pm @ Emens Auditorium, Ball State University 1800 W Riverside Ave
Cost: Tickets start at $35 A comical feast that embraces the wackiness in every family, THE ADDAMS FAMILY is the magnificently macabre hit musical featuring everyone’s favorite creepy, kooky characters.
Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with a sweet, smart young man from a respectable family. A man her parents have never met. And if that weren't upsetting enough, she confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he's never done before - keep a secret from his beloved wife, Morticia. Everything will change for the whole family on the fateful night they host a dinner for Wednesday's "normal" boyfriend and his parents.On the heels of Wednesday, the 3rd most-watched show on Netflix of all time, Big League Productions, Inc. presents THE ADDAMS FAMILY, a devilishly delightful musical comedy based on the bizarre and beloved characters by legendary cartoonist Charles Addams.
Sep 24, 2025
Wednesday
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Indiana Pastoral: The Photography of Lamar Richcreek 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Ball State Jazz Ensembles with Guest Artist Patrick Bartley Jr. 7:30pm @ Sursa Performance Hall, Ball State University Corner of Riverside and McKinley
Cost: General Public: $8 in advance / $10 at the door Seniors: $5 in advance / $7 at the door BSU Faculty/Staff: $5 in advance / $7 at the door Students: free* in advance / $5 at the door About
Enjoy a concert of standard jazz favorites and original compositions with the Ball State University Jazz Ensembles. The ensembles are under the direction of Mark Buselli.
Learn more about the Ball State University Jazz Ensembles.
Tickets
Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 1.
Prices
- General Public: $8 in advance / $10 at the door
- Seniors: $5 in advance / $7 at the door
- BSU Faculty/Staff: $5 in advance / $7 at the door
- Students: free* in advance / $5 at the door
*One (1) free student ticket per ID is available in advance (before 5 p.m. on the night of the concert) at the College of Fine Arts Box Office
Purchase Options
- ONLINE
- Phone: 765-285-8749
- In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance
**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.
Parking
Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.
Sep 25, 2025
Thursday
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Indiana Pastoral: The Photography of Lamar Richcreek 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Fred Meyer Lecture in Cultural Policy and Arts Advocacy 5pm @ Ball State Student Center Ballroom 2000 W University Ave, Muncie, IN 47306
Keynote Speaker: Michael Greer, President and CEO of ArtsFund Seattle
Thursday, September 25, 5 to 7:30pm, Student Center Ballroom
5:00–6:00 PM | Opening Reception
6:00–7:30 PM | Keynote & Q&AMichael Greer is a seasoned cross-sector leader with decades of experience in for-profit and nonprofit organizations across the United States, India, and China. A firm believer in the interconnectedness of public, private, and nonprofit sectors, Michael advocates for cross-sector collaboration to strengthen community health and drive positive outcomes.
As President and CEO of ArtsFund—Washington State’s largest independent, unrestricted arts and culture funder—Michael leverages his diverse experience to create practical and inspiring community solutions through the arts. Beyond Washington State, he contributes to national and international conversations on the role of creativity in shaping more vibrant, inclusive societies.
His professional background spans financial services, manufacturing, performing arts, arts administration, and philanthropy. He serves on several boards, including United Way of King County, the Puget Sound Regional Council (PSRC), the National Arts Statistics in Evidence-Based Reporting Center (NASERC), and the World Affairs Council, among others.
With an academic foundation in economics, mathematics, and education—and an MBA from the Wharton School—Michael applies a lifetime of interdisciplinary knowledge to foster healthier, more connected communities. A recognized community leader and national speaker on the role of the arts in civic life, he champions the transformative power of creativity to enrich lives and strengthen society.This lecture is presented in partnership with the 2025 Conference on Civic Studies and Democracy at Ball State University.
Sep 26, 2025
Friday
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Indiana Pastoral: The Photography of Lamar Richcreek 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art 9am to 4:30pm @ David Owsley Museum of Art, Ball State University 2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Accidental Astronauts 5pm @ Charles W. Brown Planetarium, Ball State University 2111 West Riverside Avenue
Fridays: Sept. 12, 26 at 5:00 p.m.
Follow the adventures of Sy, Annie, and their dog Armstrong as they embark on an unexpected journey into space!
Perfect for families and groups with K through 3rd grade learners; all ages are welcome.Plan Your Visit to the Planetarium
Please Note: Programs start promptly at the advertised time. Doors close once full or 15 minutes after showtime, and no entry is permitted after that time.