Ball State University College of Fine Arts
Log in to view email address.344 Contributed Events:
Dec 16, 2025
Tuesday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Dec 17, 2025
Wednesday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Dec 18, 2025
Thursday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Dec 19, 2025
Friday
-
Indiana Pastoral: The Photography of Lamar Richcreek
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.
September 18 – December 19, 2025
Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.
Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”
Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.
Cercle et Carré and the International Spirit of Abstract Art
9am to 4:30pm @
David Owsley Museum of Art, Ball State University
2021 W. Riverside Ave., Ball State University
Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.
September 18 – December 19, 2025
Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
1:30–4:30 p.m. (Saturday)In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art. The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.
The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.
Jan 9, 2026
Friday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 13, 2026
This Tuesday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 14, 2026
This Wednesday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 15, 2026
This Thursday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 16, 2026
This Friday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 20, 2026
Tuesday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 21, 2026
Wednesday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 22, 2026
Thursday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 23, 2026
Friday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 27, 2026
Tuesday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 28, 2026
Wednesday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
Jan 29, 2026
Thursday
-
John C. Gonzalez: Checkpoint: Interactive Artworks & Experimental Play
10am to 4pm @
Art and Journalism Building, Ball State University
Ned and Gloria Griner Art Gallery
1001 N. McKinley Ave.
The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.
The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.About the Artist
John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.
The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.
-
-
-
-
-
-
-
-
-
-
-
