2 Upcoming Events at Fine Arts Building, Ball State University

Photography isn't just something we frame; it can reshape how we experience space, history, and memory. Through public interventions/performances that live in photos, sculptural interventions, and photographic art history, William Camargo uses his photographic practices to mark absence, reclaim narratives, and honor place-based histories. He does this by introducing those who influence his works, just as Laura Aguilar, James Luna, Ken Gonzales-Day and beyond. He also introduces the complexity of the history of photography and connects it back to his practice as a counter-narrative strategy. Camargo is Lecturer in Photography at Pasadena City College and Cal State Fullerton.

This event is free and open to the public.

Glass artist Kit Paulson will elucidate her 25 years in glassmaking. In Paulson’s body of work, delicate detail and historical precepts converge to create objects that strike a fragile balance between the known and the unknown object. Predominantly working in borosilicate glass, Paulson’s intricate networked forms showcase a complex craft.

From beginnings in furnace glass, through sidetracks in production work, and forays into flameworking, Kit will describe the trajectory of her work and the ideas that accompany it. 

This event is sponsored by the School of Art and the Marilyn K. Glick Center for Glass.

This event is free and open to the public.

About the Artist

Kit Paulson received her MFA from Southern Illinois University and her BFA from Alfred University. She has taught across the United States and internationally at schools including Penland School of Craft; Pilchuck Glass School; Corning Museum of Glass; Bildwerk Frauenau, Germany; National College of Art and Design, Dublin, Ireland; and Canberra Glassworks in Canberra, Australia. Kit has completed residencies including the S12 Gallery in Bergen, Norway, the Tacoma Museum of Glass and most recently, a three-year residency at Penland School of Craft. She has received scholarships from Pilchuck Glass School, Corning Museum of Glass, Pittsburgh Glass Center, The Windgate Foundation and the Glass Art Society. Her work has been published in New Glass Review editions 36, 37, 38 and 41 and is in the permanent collection of the Renwick Gallery of the Smithsonian Museum. She is currently a studio artist in Penland, North Carolina.