430 past events with the photography tag

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Light Up Muncie! Jamie Noggle at 111 Arts Gallery Art at the Murray 6 x 6 Art Sale at Cornerstone Center for the Arts Holiday Music by Raven and Rose at Cornerstone Center for the Arts DWNTWN Wonder Hunt: Mousecapades Gordy Fine Art and Framing Holiday Open House (image by Art Hazelwood) Kat's Crystals and Curiosities 11% off sale Kat's Crystals and Curiosities 11% off sale Kat's Crystals and Curiosities 11% off sale Jessica Maxwell, Muncie Artists Guild "Artist of the Month" Jessica Maxwell, Muncie Artists Guild "Artist of the Month" Volunteer Call-Out, Muncie Arts Muncie Makers Market, corner of Walnut and Adams Muncie Makers Market at the Holiday Gift Market, heated tent at Canan Commons Muncie Makers Market Sidewalk Shopping at Canan Commons Debra Gindhart Dragoo at RoHo's Muncie Debra Gindhart Dragoo at RoHo's Muncie

Light Up Muncie
Canan Commons
Hey Muncie! Join us for Light Up Muncie, Wednesday, December 4th. The fun starts with the Lighted Parade that rolls out at 5:30, heading down Walnut Street to Canan Commons where the stage will be rockin’ from 5 to 8pm. Also at Canan Commons is the Holiday Makers Market, ice skating rink, bounce houses, Rudolph the Mechanical Reindeer, and tons of DORA drinks along with food trucks. Don’t miss the lights, the music, the memories and that magical Muncie spirit!

111 Arts Gallery 
111 E. Main
December Artist-in-Residence Jamie Noggle will have a one-day only pop art show and sale! They will have prints, original shirts, buttons, and stickers. 

Art at the Murray
405 S. Walnut
Carrie Wright Silk Gifts & Gallery is stocked full of gifts with many treasures to suit the under $50 budget. You can make a watercolor portrait and check out the new Cotton Candy-themed Black girl art series from Robin Phelps-Ward's Viola Lou Studio down the hall. On the third floor, you'll want to see the gorgeous holiday set at Dunckel Haus Photography, Kerry Shaw Fine Art next door, and Gallery Flaneur (aka Mark Sawrie) exhibiting photographs from several different projects with all art discounted 25%!

Cornerstone Center for the Arts
520 E. Main
Celebrate the arts with us at Cornerstone from 5–8 PM on the 2nd Floor. Enjoy live holiday music by Raven & Rose as you shop handmade items from local artisan vendors. We’re excited to introduce our first-ever 6x6 Art Sale, featuring original artwork created by local artists, students, and community members—each piece only $20! Make the night even more festive with a fun DIY ornament activity.  

DWNTWN (Downtown Development)
Various Locations
DWNTWN Wonder Hunt is Here for the Holidays with $100 Prize Giveaways
Here’s your chance to win $100 during the holiday season! New this year, DWNTWN Wonder Hunt is featuring Mousecapades: Tiny Tails & Holiday Trail—a festive downtown adventure perfect for families, friends, and holiday explorers of all ages.

Meet Chester the Cheese Mouse, Murray the Firefighter Mouse, Chef Enzo Mouse, and their furry friends, who are hiding out in 50 DWNTWN Muncie storefront windows. Each adorable mouse window decal is waiting to be discovered. Find at least 35 and you could win $100!

Wonder Hunt brings whimsical mice to life right on your phone. A QR code located on each mouse window decal can be scanned to play a unique animation and sound experience created in collaboration with the IDIA Lab at Ball State University, making your hunt even more magical and interactive.

The Wonder Hunt runs November 28 through January 5. To get started, grab your Mouse Tracker at downtownmuncie.org/wonder or stop by the Muncie Downtown Development Partnership office at 120 W Charles Street. Find at least 35 mice and return your completed Mouse Tracker to be entered to win one of five $100 cash prizes (one entry per person).

While you’re exploring, be sure to take in the creativity of the DWNTWN Holiday Trail window decorating contest and cast a vote for your favorite storefront display on the DWNTWN Muncie Facebook page from December 4 through January 1. Each display adds to the festive atmosphere, making DWNTWN Muncie sparkle with holiday spirit. The winning window will earn a digital screen logo loop for their business at 2026 MDDP signature events—a $1,500 value!

“It’s festive, fun, and full of surprises,” said Cheryl Crowder, event organizer. “Bring your family and friends and experience the wonder of DWNTWN during the holidays while supporting local businesses.”

For all the details, official contest information, and ways to vote, visit downtownmuncie.org/wonder.

ECAP Gallery
306 S. Walnut
Ball State University’s IDIA Lab from the College of Architecture and Planning will be exhibiting a winter-themed interactive gestural installation during Muncie’s First Thursday on December 4th, from 5-8 at the new BSU Downtown CAP Walnut Building at 306 South Walnut. Stop by to play and interact!

Also at 306 Walnut, IDIA will be exhibiting the augmented reality versions of the three lost downtown buildings launched during Artswalk - Echoes of Muncie: AR Architectural Heritage Tour. Use your mobile device as a window into the past to learn about several historic buildings, including the Wysor Block Building, the Wysor Grand Opera House, and the former Delaware County Courthouse - experienced as virtual 3D reconstructions on their former sites. This project is made possible by Muncie Downtown Development and the Ball Brothers Foundation.

CAP Libraries Pop-up
Join us for a pop-up library hosted by Ball State University's Andrew Seager Archives of the Built Environment, Architecture Library, and Building Materials Samples Collection! The pop-up will feature architectural drawings of historic Muncie storefronts and commercial buildings, samples of typical storefront building materials, and books on the architecture and design of stores and commercial buildings from the University Libraries collections. Stop by the pop-up library and pick-up a postcard of a historic Muncie storefront or one of the Architecture Library's coloring bookmarks.

Gordy Fine Art & Framing Co. 
224 E. Main
Gordy Fine Art and Framing Holiday Open House from 5-8PM for holiday shopping of paintings, prints, mugs, plates, and much more. All framed artwork is 10% off, all shirts are marked down to $15, and selected artworks are 25% off. Refreshments will be served.

Kat’s Crystals & Curiosities 
111 E Adams St 
Join us at Kat’s Krystals and Curiosities from 5-8 PM for 11% off our entire store, free hot cocoa and refreshments, tarot readings, and holiday gift shopping! 

*must mention promotion at checkout to receive discount

Muncie Artists Guild
Various locations
Jessica R Maxwell is the Muncie Artists Guild’s Artist of the Month for December 2025. “I am a graphite artist,” states Jessica. “My primary focus is on portraitures that captures the human experience. My art leans more towards realism with an artistic freedom that captures the emotions within the piece. My focus is on creating depth within my shadows and highlights, and capturing the movement within my portraits. Jessica's work will be on display at the following locations: Vera Mae’s, Rosebud Coffee House, Old National Bank, Patterson Building, and Haul’n Oats.

MuncieArts
216 E Main St., 2nd Floor Boardroom
Join Muncie Arts and Culture Council staff to learn about how to volunteer to support the mission and growth of arts and culture in Muncie! Snacks and drinks provided. 

Muncie Makers Market
The Muncie Makers Market will beat three locations for December’s First Thursday!
Corner of Walnut and Adams
Bundle up for Sidewalk Shopping with the Muncie Makers Market from 5-8pm at Adams and Walnut! Enjoy our Local Artisans and Shop Small in DWNTWN Muncie!

Canan Commons- Heated Tent
Come to the big heated tent at Canan Commons from 5-8p for our Annual Holiday Gift Market with the Muncie Makers Market! This special evening is always filled with fabulous fun - wait 'til you see it this year!

Canan Commons- Sidewalk Shopping
Stroll around Canan Commons for LOTS of family fun! Sidewalk Shopping - 'tis the season! Food Trucks, Ice Skating, Performances, and the Muncie Makers Market from 5-8p!

RoHo’s Muncie
308 S. Walnut St.
RANDOM WORDS ON RANDOM ART: Altered thrift store art, found objects, text on found art, also known as objet trouvé or assemblage art. Local artist, curator, arts advocate and Artist in Residence at Cornerstone Center Center for the Arts; Debra Gindhart Dragoo creates using everyday, often random, objects that a she finds and incorporates into her work. because of an intrinsic interest. Random words on random art presented in a new way to provoke thought or emotion. This exhibit will hang the month of December check out the contemporary artwork.
5-8pm. 

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

It's our first Holiday Night Market! 🎁 Come shop with our Hoosier Artisans in a fun and festive environment and check out all that’s happening with the Muncie Makers Market and MadJax on Third Thursday this month:

- Live music from Justin Garing!

- Grace & Co. Coffee Trailer!

- Cornerstone Center for the Arts' stained glass artist, Kiley Jiminez of Grow With Me Glass, will be leading a free activity making stained glass "buddies" FREE while we’re there!

- The Giant Igloo Fundraiser from Action for Animals with Maker-Sponsored Games!

- Tours of MadJax's The Design Lab/The Shipyard/Co:Lab!

- Displays of Ball State University College of Architecture & Planning Student Projects!

- Sip & Shop Opportunities from The Guardian Brewing Co.!

- aaaaand SANTA from 5:30-7:30! 📸

THIRD THURSDAYS! 🌱 Join our local Growers & Makers of the Muncie Makers Market for a really fun "night market" vibe EVERY MONTH for Third Thursdays at MadJax Maker Force! ALL INDOORS! While you enjoy shopping for our homemade, handmade, and locally grown goods, you can also have a great time throwing axes and nerf football bowling with a beer at Max Axe Muncie, have a delicious dinner and brews at The Guardian Brewery Co., and explore the HUGE MadJax Maker Force facility! WE are soooo excited to partner with MadJax Maker Force for a NEW NIGHT OUT in Downtown Muncie!

The Muncie Makers Market is a retail business incubator presented to the public through a community farmers market with fresh homemade food, locally grown produce, live plants, and handmade arts of all kinds. You’ll find the Muncie Makers Market monthly during the First Thursday & Third Thursday community events in Downtown Muncie, and at special annual events like the Magic City Brewfest, Brink of Summer ArtsWalk, Fire Up DWNTWN, ArtsWalk, and Light Up Muncie throughout our community all year. We develop local small business through education, connections, and events! Please JOIN us on Facebook and Instagram and please SHARE: https://www.facebook.com/groups/1627047027524961/  

MadJax Maker Force:

https://www.madjax.org

Mad Axe Muncie:

https://madaxemuncie.com

The Guardian Brewing Co.:

https://guardian.beer

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Ivan Harmon at 111 Arts Gallery Josh Dunckel at Cornerstone Center for the Arts Kevin Campbell at Gordy Fine Art and Framing Co. Echoes of Muncie: An AR Architectural Heritage Tour at IDIA Lab Terri Best, Muncie Artist Guild's Artist of the Month Hugo Meza at MuncieArts Spenser Johns at the Songwriter Sessions at Elm St. Brewing Cherry Chub at the Songwriter Sessions at Elm St. Brewing Nobody Knew at Urvan Stitch Studio

111 Arts Gallery 
111 E. Main
Ivan Harmon will be doing solo art show of paintings on canvas for February’s First Thursday.

Cornerstone Center for the Arts
520 E. Main
Join us this month for February's First Thursday from 5-8pm. Shop from local vendors, explore and purchase the work of local photographer Josh Dunckel, and make your own free Valentine's Day card. All activities will take place at Cornerstone on the 2nd floor. 

Gordy Fine Art & Framing Co. 
224 E. Main
Gordy Fine Art & Framing Company to present an exhibition of Kevin Campbell’s Puzzle Project, Thursday February 5, 5 – 8 pm.   

Gordy Fine Art & Framing Company will open Kevin Campbell: The Puzzle Project, Thursday February 5, 5 – 8 pm, featuring groupings of puzzle pieces that the artist cuts from plywood and paints individually.  Each grouping has a place in a much larger puzzle that could be assembled if all the pieces were brought together.  The Puzzle Project is a work of art that has no edge and so it can be added onto and ‘grow’ indefinitely.  The exhibit will be anchored by a composite image showing what the entire puzzle would look like if it were fully assembled.  Throughout the evening, Campbell will be on hand to engage with viewers and answer questions. Light refreshments will be served, and the public is invited to attend. 

At 6:15 Campbell will speak about the project and how it has evolved since he began in 1994.

All of the puzzle groupings are expressions of the interconnectedness of the natural world.  Each individual piece is “inherently part of something larger than itself,” says Campbell, speaking about the idea that has driven his art for decades.  “As it grows, pieces and groups of pieces are separated and treated as individual works of art.”  These groups will be hung and for sale in the Gordy gallery.  Those who own a piece of the Puzzle Project will forever have a place in the larger composition. 

“Works of art are often referred to as ‘pieces of art,’” says Gordy owner Carl Schafer.  “For Kevin Campbell this is literally true.  He is making only one work of art that has many pieces. Campbell has placed no boundaries on his single work of art.  It can continue forever and each piece will always have its place.” 

The exhibit will be on view with works for sale in the gallery through March 28, 2026. 

Gordy Fine Art and Framing Company promotes talented artists, provides appraisals, enlarges and digitally restores photographs restores antique frames, and offers expert design and craftsmanship for framing and displaying treasured family possessions and works of art. Business hours: Monday through Friday, 9 am – 5:30 pm, Saturday, 10 am – 3 pm. Gordy Fine Art and Framing Company is located at 224 East Main Street, next door to Muncie Civic Theatre.  For more information, visit www.gordyframing.com or call 765-284-8422

Idia Lab
306 S. Walnut
Ball State University’s IDIA Lab, part of the Estopinal College of Architecture and Planning, will showcase a new interactive installation during Muncie’s First Thursday on February 5, from 5–8 p.m., at the ECAP Downtown Space, 306 South Walnut Street. Visitors are invited to stop by, play, and create interactive 3D forms in a hands-on digital experience.

In addition, IDIA Lab will present virtual reality experiences from Echoes of Muncie: An AR Architectural Heritage Tour, first launched during Summer ArtsWalk. Using your mobile device as a window into the past, you can explore immersive 3D reconstructions of several historic downtown landmarks, including the Wysor Block Building, the Wysor Grand Opera House, and the former Delaware County Courthouse—right on their original sites. This project is made possible through the support of Muncie Downtown Development and the Ball Brothers Foundation.

Muncie Artists Guild
Various locations
Terri Best is the Muncie Artists Guild’s Artist of the Month for February 2026.

"My name is Terri Best, and I am an artist based in Yorktown, IN. I believe my artistic talent is a gift from God, received four years ago, and I am passionate about sharing His message through my work. Although I am primarily self-taught and have no formal training in painting, I continually strive to grow and improve as an artist each day."

Terri's work will be on display at the following locations: Rosebud Coffee House, Haul n Oats, Vera Mae’s, Patterson Lobby, and Old National Bank

MuncieArts
216 E. Main
Join us for the MuncieArts Artist Spotlight, a monthly First Thursday event celebrating local art in Muncie. This month’s event will feature Hugo Meza and will take place from 5-7pm. Come have the opportunity to view Hugo’s linoleum prints and street photography, meet the artist, and learn about his creative process.

The Songwriter Sessions at Elm Street Brewing Co.
519 North Elm Street
The Songwriter Sessions is a monthly event where local and regional songwriters share the art of original music and the stories behind the songs. The event is held in conjunction with Muncie's First Thursday. It runs from 8-10pm at Elm Street Brewing Co, 519 North Elm Street after the main First Thursday events, as an after party where you can unwind and listen to awesome live music performed by the creators. The February event features Spenser Johns from Indianapolis as well as Cherry Chub from Muncie. You may find details here or on The Songwriter Sessions Facebook page.

Urban Stitch Studio 
306 S. Walnut
Urban Stitch Studio, a Ball State Architecture studio, will host an “Arts Walk” on February 5th in collaboration with Ball State’s National Organization of Minority Architecture Students NOMAS. The evening will feature artwork by Ball State students and local Muncie artists, as well as an alumni focused exhibition highlighting graduates from CAP and CAP adjacent fields. Visitors can explore a variety of visual and digital works, engage directly with artists and students, and experience the studio as a welcoming space for collaboration and creative expression. 

The night will also include a live performance by Nobody (K)new, a Ball State student led band, adding energy and bringing the community together. 

Urban Stitch Studio is dedicated to strengthening the connection between Ball State students and Downtown Muncie while celebrating creativity, collaboration, and community. Come explore art, connect with artists, and be part of the creative energy shaping the city.